Evidence, Truth and Order: Photographic Records and the Growth of the State by John Tagg
In, Around, and Afterthoughts (On Documentary Photography) by Martha Rosler
Monday, April 29, 2013
Monday, April 22, 2013
April 22nd
Reading:
Photography and Fetish by Christian Metz
Winning the Game when the Rules have been Changed: Art Photography and Postmodernism by Abigail Solomon-Godeau
The Crisis of the REal: Photography and Postmodernism by Andy Grundberg
NOTE: on-going work on peer review due next class.
Photography and Fetish by Christian Metz
Winning the Game when the Rules have been Changed: Art Photography and Postmodernism by Abigail Solomon-Godeau
The Crisis of the REal: Photography and Postmodernism by Andy Grundberg
NOTE: on-going work on peer review due next class.
Monday, April 8, 2013
DUE: Thursday, April 11
PEER REVIEW: establish primary contact for class 05 presentation and paper.
On the Invention of Photographic Meaning by Allan Sekula
*** Bring to class contemporary visual models that illustrate similar conceptual structures identified within the reading(s) and be prepared to discuss their relationship(s): complements; contrasts; contradictions; or the evolution of lens-based representation.
As always, be sure to post reading review and author information on our blog.
On the Invention of Photographic Meaning by Allan Sekula
*** Bring to class contemporary visual models that illustrate similar conceptual structures identified within the reading(s) and be prepared to discuss their relationship(s): complements; contrasts; contradictions; or the evolution of lens-based representation.
As always, be sure to post reading review and author information on our blog.
Sunday, April 7, 2013
Due: Monday, April 8th
- What has Occurred Only Once: Barthes's Winter Garden/Boltanski's Archives of the Dead by Marjorie Perloff
- Benjamin and the Political Economy of the Photograph by W.J.T. Mitchell
Post a short (two-three paragraph) synopsis of the readings on the class blog. In addition to each text synopsis you are to provide a brief autobiographical summation of the author.
Bring to class quotes and selected visual representations in conjunction with the readings. Note: Select images of personal value (subject matter) not directly addressed in the readings.
- Benjamin and the Political Economy of the Photograph by W.J.T. Mitchell
Post a short (two-three paragraph) synopsis of the readings on the class blog. In addition to each text synopsis you are to provide a brief autobiographical summation of the author.
Bring to class quotes and selected visual representations in conjunction with the readings. Note: Select images of personal value (subject matter) not directly addressed in the readings.
Wednesday, April 3, 2013
Due: Thursday, April 4th
Reading:
• The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin
• Extracts from Camera Lucida by Roland Barthes
Please post a short (two – three paragraph) synopsis of the readings on the class blog (select "comments" and post in the space provided). In addition to each text synopsis you are to provide a brief autobiographical summation of the author.
Bring to class quotes and selected visual representations in conjunction with the readings. Note: Select images of personal value (subject matter) not directly addressed in the readings
• The Work of Art in the Age of Mechanical Reproduction by Walter Benjamin
• Extracts from Camera Lucida by Roland Barthes
Please post a short (two – three paragraph) synopsis of the readings on the class blog (select "comments" and post in the space provided). In addition to each text synopsis you are to provide a brief autobiographical summation of the author.
Bring to class quotes and selected visual representations in conjunction with the readings. Note: Select images of personal value (subject matter) not directly addressed in the readings
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